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  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関
  • Katana - Echizen Seki - 越前関

Katana - Echizen Seki - 越前関

€5,213.27 HT

€5,500.00 TTC

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Katana - Echizen Seki - 越前関

More informations about this product

Katana - Attributed to "Echizen Seki" 越前関

end Azuchi Momoyama - early Edo, circa 1600

In Koshirae, with NBTHK certificate

Total Weight 1.182 kg
Weight without Saya 0.869 kg
Blade Weight 0.667 kg
Full Blade length (Toshin) 89.60 cm
Nagasa 70.50 cm
Nakago Length 19.10 cm
Sori (curvature) 0.70 cm
Kissaki Length 3.63 cm
Moto Haba 3.14 cm
Saki Haba 2.00 cm
Moto Kasane A = 0.61 cm
B = 0.65 cm
Mesures Moto & Saki Kasane
Saki Kasane A = 0.41 cm
B = 0.45 cm
Curvature Tori Zori with Funbari
Type Kissaki Chu Kissaki
Blade Structure Shinogi Zukuri (diamond shaped)
Mune Iori Mune (triangular)
Hamon Start in Suguha, then Gunome Midare with the presence of Choji, Togari and Tobi Gaki.
Hada Itame
Boshi Ko maru
Nakago Ubu, 1 Mekugi Ana, O Sujikai Yasurime, Shape Ichimonji Gata, Korijiri end in Iriyama Gata
Saya Length 76 cm, Weight 0.312 kg. Presence of Kaeshi Zuno. Metallic reinforcement on the Kojiri. Sageo silk brown.
Tsuka
&
Tosogu

(Tsuba,
Menuki,
Fuchi Kashira)
- Tsuka: length 23.5 cm, weight 91 g Black braided in patinated cotton, not Samegawa but dark silk brocard with golden notes

- Tsuba : Akasaka School Iron, Maru Gata, Mimi Gata border, type Owari Sukashi. 7.41 cm x 7.49 cm x 0.49cm for a weight of 66 g.

- Habaki: Neko Gaki oblique very light weight 26 g

- Menuki: Large Dragon in Higo type Shakudo

- Seppa: 3 Seppa for a total weight of 15 g

- Fuchi:in Copper

- Kashira: old black patinated
Study
&
Team Review

Echizen Seki 越前関 is a school of Seki blacksmiths in the former province of Mino (Gifu) who settled in Echizen (Fukui) during the Keicho era (1596-1615).

Seki blacksmiths are part of the Mino Den forging tradition which was one of the most successful traditions, along with that of Bizen. This tradition officially began at the end of Kamakura with Kaneuji from the Yamato and Kaneshige (Kinju) traditions, both linked to the great Masamune of the Soshu tradition.
The smiths of Mino were then particularly solicited and productive during the Sengoku Jidai 戦国時代 (1477-1573), thanks to the great local warlords, until the great battle of Sekigahara in 1600, which took place in this same province.

It was around this time that blacksmiths from Mino, such as Kanenori and Kanetane, settled in the province of Echizen north of Mino. It was then a rich province ruled by a branch of the powerful Tokugawa clan, Edo-era shogun.
This province then attracted many wealthy nobles linked to the court and who found themselves under the indirect protection of the Shogun. With this rich population, many artisans settled to sell their productions. Among these artisans, the renowned Yasutsugu 康継, originally from the neighboring province of Omi, founder of the Echizen Shimosaka school, who became official forger of the Shogun.
The Echizen Seki and Echizen Shimosaka schools were the two major blacksmith schools in Echizen province.

It is noteworthy that the tradition of Mino had a significant number of talented blacksmiths since its beginnings. But as a result of strong demand and mass production to supply the clans and armies, a decline in quality still took place during the Sengoku Jidai and Azuchi Momoyama, Periods of great wars that culminated in the reunification of Japan by the Tokugawa clan and the early Edo era. It was then that the blacksmiths could take their time to reproduce works of very high quality with very aesthetic tempers.