• Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真
  • Katana - Den Kanezane 伝包真

Katana - Den Kanezane 伝包真

€0.00 HT

€0.00 TTC

fiber_manual_record Out of stock

Katana - Den Kanezane 伝包真

More informations about this product

Katana - 伝包真 Den Kanezane

Yamato (Tegai) / Mino

Koto (Late Muromachi, circa 1575), with Koshirae

Total Weight 1.296 kg
Weight without Saya 0.941 kg
Blade Weight 0.637 kg
Full Blade length (Toshin) 84.10 cm
Nagasa 66.8 cm
Nakago Length 17.3 cm
Sori (curvature) 2.10 cm
Kissaki Length 2.98 cm
Moto Haba 3.00 cm
Saki Haba 1.92 cm
Moto Kasane A = 0.62 cm
B = 0.70 cm
Mesures Moto & Saki Kasane
Saki Kasane A = 0.40 cm
B = 0.42 cm
Curvature Koshi Zori (Curvature on the first third)
Type Kissaki Elongated Chū Kissaki
Blade Structure Shinogi zukuri (diamond shape)
Mune Iori mune (Triangular)
Hamon Hotsure Suguha in Nioideki with Ko nie, Presence Nijuba, Uchinoke
Hada Itame-Mokume
Boshi Ko Maru Midare Kaeri (back on the Mune)
Nakago Mumei (unsigned), Suriage O Machi Okuri (shortened), 3 mekugi ana 2 being jointed (Hyotan Mekugi Ana), Futsugata Shape (classical), Kiri Yasurime (horizontal), Nakago Jiri Kurijiri (rounded)
Saya Length 79.3cm weight 354g, Saya lacquered Kuroro (glossy black), Sageo black silk, Koiguchi reinforced with brass ring
Tsuka
&
Tosogu

(Tsuba,
Menuki,
Fuchi Kashira)
- Tsuka: Length 25.7cm, weight 134g, Tsuka with braiding Tsumami maki in black silk, Whole Same white, Menuki gilded with the motif of 3 ‘Dharma wheels’ (also called ‘Wheel of the Law’) 8 radius symbolizing the ‘Noble Eightfold Path’ of the middle leading to Nirvana,
Fuchi Kashira in black patinated copper with gilded pattern of symbols and Archaic Kanji called ‘Kodaimoji’ 古 代 文 字 and used for divinatory purposes during the Bronze Period (3300 to 1200 BC).

- Tsuba: Dimensions 7.6x6.95x0.5cm, weight 124g, Tsuba Muji (Without pattern), with 2 Kogai Ana, black center with golden border, Rokkaku-type general shape (Hexagon) symbolizing the 6 perfections (Paramitas) advised by Buddha (Generosity, Self-discipline, Patience, Perseverance, Concentration, Wisdom).

- Habaki: Weight 20g, Habaki in gold leather, double habaki, Nekogaki oblique

- Seppa: Two copper Seppa (2x9g)
Study
&
Team Review

The origin of the Tegai 手掻 school dates back to the Kamakura period (1185–1333). The Tegai School is one of the 5 schools of the Yamato Den 大和, located opposite the Tengai Mon, the western gate of the Todaiji Temple in Nara. The founder of this Tegai lineage is Kanenaga 包永, a blacksmith of the late 13th century, many blacksmiths of this school inherited kanji ’Kane‘ in this form.
The Shodai Kanezane 包真 (1st gen) was a student of the 3rd generation Kanenaga around 1361, and the blade shown here is the 6th generation Kanezane 包真.

This blade from the 6th generation Kanezane 包真 dates from the late Muromachi, circa 1575. This date is important because it was at the Battle of Nagashino, where Oda Nobunaga and Ieyasu Tokugawa defeated Katsuyori Takeda (Son of Takeda Shingen). This battle, with the use of firearms by Nobunaga, marked a turning point in medieval Japanese military strategies. It is often seen as Japan’s first ‘modern’ battle.

The Yamato tradition blades are quite rare compared to the 4 other traditions, more modern and prolific like Bizen and Mino. Another explanation is that the blacksmiths of Yamato produced for the temples and warrior monks, enemies of the powerful warlords, which did not help their development.
This tradition influenced many schools in Bizen and also gave birth to the Mino Shizu school with Kaneuji 包氏 who was a student of Masamune and settled in Mino. He then adopted Kanji Kane in this form 兼, which most blacksmiths in Mino would take.

This Koto blade from the Tegai School of Yamato tradition is therefore particularly rare.